

Storyline: Olympia 2018 In the same vein as Albert Maysles Iris, this sublimely intimate, fly on the wall verite documentary tells a heart wrenching story of a woman becoming her own woman, on her own terms, to assert a gigantic creative force into the world Rebelling against her old world, panty sniffing, suspicious Greek mother to assert her strong sexual drive, fighting the feeling she was too ethnic amid the Boston Brahmin at BU, and starting her own theatre company in New Jersey, instead of waiting for the phone to ring, Olympia Dukakis models how to live life with blazing courage Throughout an engrossing story that seamlessly blends past and present, she opens her heart and exposes her truest self to the audience The raw honesty with which Olympia leads us into the core of her self is what makes this film luminary As fellow actors with whom she has shared the limelight Laura Linney, Diane Ladd, Whoopi Goldberg, and Austin Pendleton all testify, Olympia is totally open and crazy, which is what turns out to be the marker of her absolute sanity This intimate portrait of a working class professional, a scholar actor of intense intuitive power, and a woman beloved around the world, culminates on the steps of the Dukakis humble ancestral home in Lesbos, Greece Here we see Olympias life come full circle both personal and professional Incandescent and unforgettable, Olympia is a must see documentary for anyone seeking to reignite their love of drama and their love of life
The ABCs of Death 2 (2014)
Another 26 chapter anthology that showcases death in all its vicious wonder and brutal beauty
Let Me Fall (2018)
Drawing on true stories and interviews with the families of addicts, this harrowing portrait of addiction follows Stella and Magnea through the decades as precarious teenage years morph into perilous adulthoods
Professor Layton and the Eternal Diva (2009)
Layton and Luke are caught up in an adventure, when a masked figure steals an entire opera house and forces those in attendance to play a high stakes game The winner will receive eternal life, but it could mean death for the losers
Kill! Kill! Kill! Kill! (1971)
Interpol investigates the freelance killings of drug and porn peddlers
Country Hooker (1974)
Penniless and in pressing need of a gig, two struggling musicians will come across two ladies who seem to be stuck in the middle of the desert, unaware of the girls little scheme behind their backs
The Ghost and the Darkness (1996)
A bridge engineer and an experienced old hunter begin a hunt for two lions after they start attacking local construction workers
Muriels Wedding (1994)
A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love
Road Rage (2000)
The highway to hell runs straight through a college campus in this compelling thriller about a killer truck After helping a pretty co ed out of a nasty domestic situation, Jim Travis gives
DC Showcase: Death (2019)
In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy and eventual death
Echoes in the Dark (2024)
Haunted by gambling debts, photographer Paolo Rinaldi stumbles upon a chilling detail hidden in a photo of an abandoned factory Chasing the promise of easy money, he is pulled into a surreal and terrifying descent
My Childhood (1972)
The second part My ain folk of Bill Douglas influential trilogy harks back to his impoverished upbringing in early 40s Scotland Cinema was his only escape he paid for it with the money he made from returning empty jam jars a
Sin Samejima Jiken (2020)
Nana Sasaki joins an on line meeting with her former high school classmates, Yuki and Suzu, where they rehash the terrifying Samejima Incident, an urban legend that has been circulating around the Internet for two decades with the
The Tough Ones (1976)
A tough, rule bending cop pursues a maniacal, trigger happy hunchback, a one handed bank robber and their cronies in an effort to bring Romes most powerful crime lord to justice
Chan (1983)
1941 was Francis Lees first film CHAN his last In between, he became an expert Sumi e watercolorist and here he combines eloquent ink paintings with masterful animation methods This